Tag Archives: Wisdom

Introduction to Boehme’s Threefold Life of Man. By George W. Allen

Introduction to Boehme’s Threefold Life of Man.

By George W. Allen

There is a way, a wisdom, an operation which, taken, searched out and attempted, will lead him, teach him and form him so that he will not only reach the eternal (which all must do), but reach it to find himself in rightful relation to it, at home in it, conformed to it. Harmony with environment is heaven: the contrary is hell.” -George W. Allen

 Dreifaches_Leben Threefold Life

[..] If Boehme has been called the “Teutonic Theosopher,” this is only because he endeavors to penetrate into the depth of man’s nature, and seeks for facts which are not to be found upon the surface thereof.

 

There has been, without doubt, in all ages of the world much enquiry calling itself “theosophical” which has been illicit and disastrous. Ducklings that can safely cross a river might be lost in attempting to cross the Atlantic.

Everything depends on the spirit in which the enquiry is undertaken. If in a self-sufficient pride and confidence in our own powers, or out of mere curiosity and love of the wonderful and obscure, the enquiry is illicit and likely to end in spiritual and moral disaster.

One sort of spirit alone can undertake the enquiry with safety. It must be entered on for the one and only purpose of learning what we actually are, so that by this knowledge we may be enabled to shape our life and form our personal character in accordance with the eternal Fact.

Neither must we undertake to pursue the enquiry by our own natural and unaided reason and intellect. We must seek and expect guidance; that guidance which is ever afforded to those who seek it from a true motive, which is never a mere desire to explore and talk about the recondite and profound.

So narrow is the gate that leads to the real divine truth that no self-sufficiency can ever enter in.

Only the meek and lowly of heart, who desire to be able better to serve, rather than to pose as profound thinkers, can pass it and walk in the straitened way that will be found within. Such are known at once by this: that their whole interest is centered on what can be turned to practical account in life and conduct and character; and if, as they study, they do not find themselves becoming nearer to the divine character in love and sympathy and service, they feel that something is wrong. They are never so filled with wonders discovered as to rest content with this success; for they seek not truth for its own sake, but only for the sake of its good. They watch themselves closely, and turn aside from any knowledge that does not bear fruit in a greater earnestness in service, and in a character growing ever more pure and sympathetic and set on things above.

All this Boehme is careful to say again and again.

 

Understood in this sense, and fenced about by these safeguards, theosophy loses all its dangers, and the man who loves God, and is dissatisfied with the mere notional apprehension of Him with which most are content; who feels that he himself is more than he as yet knows, and would understand for what he was created, and to what end he is meant to arrive; who regards this life as needing to be interpreted rather than no more than it seems; who wishes so to live here that, after death, he may not find himself in a new and “other” world with every fiber of habit, every longing and liking, of a nature which, in that world, is impossible and must prove a torment—such an one need not despair.

 

There is a way, a wisdom, an operation which, taken, searched out and attempted, will lead him, teach him and form him so that he will not only reach the eternal (which all must do), but reach it to find himself in rightful relation to it, at home in it, conformed to it. Harmony with environment is heaven: the contrary is hell. If, of human writers, Kant is the man of philosophical first principles, Boehme is equally certainly the man of theosophical first principles. And if there appear signs (as surely is the case) that our Christian religion is not producing that national righteousness which its aim is to produce, and we suspect that we have not got our first principles right, there is no author (outside Holy Scripture) to whom it will be more profitable to go back.

 

It will be impossible in a brief introduction to enter on a full explication of Boehme’s marvelous system, for this would require a volume to itself. All that can be attempted is to indicate the general lines of that system, and to give some clue to the reader, whereby first difficulties may be surmounted, and the secret of Boehme indicated.

George W. Allen

Link to pdf. (can be read online) The Threefold Life of Man written by Jacob Boehme, 1620
http://www.jacobboehmeonline.com/yahoo_site_admin/assets/docs/Threefold_Life_of_Man.87135427.pdf

THE THREEFOLD LIFE OF MAN
ACCORDING TO THE
THREE PRINCIPLES
BY JACOB BOEHME GORLITZ 1620
TRANSLATED BY JOHN SPARROW 1650
TRANSCRIBED BY WAYNE KRAUS 2013

P.D. Ouspensky: Strange Life of Ivan Osokin – Ivan-Osokin.pdf

“At six years of age Ouspensky was reading on an adult level. Two books made a strong impression on him—Lermontov’s A Hero for Our Time and Turgenev’s A Sportsman’s Notebook. Lermontov’s book is noteworthy since the ideas it expresses—the plasticity of time and questions of predestination, fate and recurrence—are those that would occupy Ouspensky throughout his life. As a young boy Ouspensky disliked school, finding the work dull. At sixteen he discovered Nietzsche, whose idea of eternal recurrence would remain a lifelong interest. He left school the same year. In 1905, at the age of seventeen, his mother died. That year he wrote his only novel (not published until 1915), The Strange Life of Ivan Osokin.”

3366_P_D_OUSPENSKY_Strange_Life_of_Ivan_Osokin_1972

http://www.gurdjiefflegacy.org/archives/pdouspensky.htm

Strange Life of Ivan Osokin – Ivan-Osokin.pdf. old link didn’t work – updated to add working link

Strange Life of Ivan Osokin is a novel by P. D. Ouspensky. It follows the unsuccessful struggle of Ivan Osokin to correct his mistakes when given a chance to relive his past. The novel serves as a narrative platform for Nietzsche’s theory of eternal recurrence. The conclusion fully anticipates the Fourth Way Philosophy which typified Ouspensky’s later works. In particular the final chapter’s description of the shocking realization of the mechanical nature of existence, its consequences, and the possibility/responsibility of working in an esoteric school.” – wiki

Synesius – A letter to Hypatia: On Dreams

In a letter to Hypatia of Alexandria, of whom he was a student, Synesius of Cyrene wrote that his essay, or as he called it “book” was:

“[…] set up as a thank-offering to the imaginative faculties. It contains an inquiry into the whole imaginative soul, and into some other points which have not yet been handled by any Greek philosopher. But why should one dilate on this? This work was completed, the whole of it, in a single night, or rather, at the end of a night, one which also brought the vision enjoining me to write it. There are two or three passages in the book in which it seemed to me that I was some other person, and that I was one listening to myself amongst others who were present.

Even now this work, as often as I go over it, produces a marvelous effect upon me, and a certain divine voice envelops me as in poetry. Whether this my experience is not unique, or may happen to another, on all this you will enlighten me, for after myself you will be the first of the Greeks to have access to the work.”

An extract from On Dreams:

“[…] divinations are amongst the best vocations of man; and if all things are signs appearing through all things, inasmuch as they are brothers in a single living creature, the cosmos, so also they are written in characters of every kind, just as those in a book some are Phoenician, some Egyptian, and others Assyrian.[1]

The scholar reads these, and he is a scholar who learns by his natural bent. One reads some of them and another reads others, one reads more and another less. In the same way one reads them by syllables, another reads the complete phrase, another the whole story. In like manner do the learned see the future, some understanding stars, and of these, one the fixed stars, another those flames which shoot across the sky. Again, there are those who read it from the entrails, and from the cries of birds, and from their perches and flights. To others also what are termed omens are manifest, written indications these of things to be, and again voices and encounters otherwise intended, for all things have their significance for every one. [1285] In the same way, if birds had had wisdom, they would have compiled an art of divining the future from men, just as we have from them; for we are to them, just as they are to us, alike young and old, very old and very fortunate. It must needs be, I think, the parts of this great whole, since it all shares one feeling and one breath, belong to each other. They are, in fact, limbs of one entire body, and may not the spells of the magicians be even such as these? Obviously, for charms are cast from one part of it to another, as signals are given, and he is a sage who understands the relationship of the parts of the universe. One thing he attracts to himself through the agency of another thing, for he has present with him pledges of things which are for the most part far away, to wit, voices, substances, figures. And as when the bowel is in pain, another part suffers also with it, so a pain in the finger settles in the groin,[2] although there be many organs between these parts which feel nothing.

This is because they are both portions of one living organism, and there is that which binds them one to the other more than to other things. Even to some god, of those who dwell within the universe, a stone from hence and a herb is a befitting offering; for in sympathizing with these he is yielding to nature and is bewitched. Thus the harp-player who has sounded the highest note does not sound the sesquioctavus next, but rather strikes the epitrite and the nete, a heritage today from a more ancient state of harmony.

But there is in the cosmos, even as in human relationship, a certain discord also; for the universe is not one homogeneous thing but a unity formed of many. There are parts of it which agree and yet battle with other parts, and the struggle of these only contributes to a harmonious unity of the whole, just as the lyre is a system of responsive and harmonious notes.[3] The unity resulting from the opposites is the harmony of both the lyre and the cosmos. Archimedes the Sicilian asked for a point of support outside of the earth wherefrom he might prop himself against the whole earth, for he said that as long as he was himself upon the earth he had no power over it. But the man, howso great his knowledge of the nature of the universe may be, once placed outside of it, could no longer make any use of his wisdom. He uses the universe against itself; accordingly his touch with it once lost, he will watch it in vain, and the lifeless symbols only would then be recorded. And small wonder, for whatever of the divine elements is outside the cosmos can in no wise be moved by sorcery.

He sits apart and careth not. nor taketh any thought thereof.[4]

It is the nature of pure reason not to be deflected; it is only the emotional element which may be cajoled. Wherefore the multitude of things in the universe and their relationship furnish the bulk of the subject-matter in the initiations and prophecies. There is a multitude of the discordant elements, but a relationship is the unity of things existing. Now, as to initiations, let not our law-abiding discourse noise them abroad; there is no offense, however, in explaining divination.”

Letters of Synesius of Cyrene to Hypatia of Alexandria http://www.livius.org/su-sz/synesius/synesius_letter_154.html

 

 

Full text of Synesius On Dreams http://www.livius.org/su-sz/synesius/synesius_dreams_02.html

 

 

Francis Bacon’s use of ancient myths in Novum Organum

“Francis Bacon’s monumental work, Novum Organum, is an attempt to establish a new
status for mankind. Using some of the most prominent myths—particularly those dealing
with the gods Pan, Dionysius, Perseus, and Prometheus—Bacon hoped to inaugúrate a
new era of success and happiness for his fellow man. In Book I of Novum Organum,
Bacon involves these gods and their significances, juxtaposing them with man as he might
and could be. In this essay, the author examines about twenty of the “Aphorisms” in
Bacon’s work, showing the possible impact of the ancient god who is most appropriate
for the “Aphorisms” under discussion. This article is clearly a work of utopian
proportions, revealing fascinating journeys into the realm of romanticism.”

Wendell P. Maclntyre
University of Prince Edward Island

Click here to read the full pdf article http://rua.ua.es/dspace/bitstream/10045/6045/1/RAEI_07_10.pdf

The Glass Bead Game

The Glass Bead Game

Herman Hesse’s Nobel Prize Winning Novel, The Glass Bead Game lays the foundations for an Artistic/Conceptual Game, which integrates all fields of Human and Cosmic Knowledge through forms of Organic Universal Symbolism, expressed by its players with the Dynamic Fluidity of Music. The Glass Bead Game is, in Reality, an Age Old metaphor for what has been called, the “Divine Lila” (Play or Game of Life). This metaphor has been expressed by every great Wisdom Tradition known to man, and its players, the Magister Ludi (Masters of the Game), use as their instruments Ancient and Modern modes of Symbolic Wisdom traditionally presented through Sacred Art, Philosophy, Magick and Cosmology.
For a more detailed elaboration of our vision of the GBG, see:
THE GLASS BEAD GAME
“Although we recognize the idea of the Game as eternally present, and therefore existent in vague stirrings long before it became a reality, its realization in the form we know it nevertheless has its specific history.”
“How far back the historian wishes to place the origins and antecedents of the Glass Bead Game is, ultimately, a matter of his personal choice. For like every great idea it has no real beginning; rather, it has always been, at least the idea of it. We find it foreshadowed, as a dim anticipation and hope, in a good many earlier ages. There are hints of it in Pythagoras, for example, and then among Hellenistic Gnostic circles in the late period of classical civilization. We find it equally among the ancient Chinese, then again at the several pinnacles of Arabic-Moorish culture; and the path of its prehistory leads on through Scholasticism and Humanism to the academies of mathematicians of the seventeenth and eighteenth centuries and on to the Romantic philosophies and the runes of Novalis’ hallucinatory visions.”
“This same eternal idea, which for us has been embodied in the Glass Bead Game, has underlain every movement of Mind toward the ideal goal of a Universitatis Litterarum, every Platonic Academy, every league of an intellectual elite, every rapprochement between the exact and the more liberal disciplines, every effort toward reconciliation between science and art or science and religion”
~ Hermann Hesse
and if you choose to watch this video, PLEASE watch to the very end!