Tag Archives: Transformation

Working through Depression with Alchemy

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“More than a school of thought, alchemy is a gnosis, a “way” of knowing. It is a deliberate attempt to grasp immortality in which the process is paramount. We all embody the archetypal journey of life, consciously or unconsciously. We are born in our essential nature but it quickly becomes covered with a hard-shelled core of the false ego. We long to return to our true nature. Alchemy amplifies and accelerates this process of self-actualization, connecting with a sacred sense of self.

Naturally, there is no absolute actualization, no final self-reflective insight. It is a recursive formula of returning, over and over on more subtle levels, to the sacred center where heaven and earth meet. You don’t have to heroically “succeed” at alchemy.

Not succeeding will deepen you as you improvise the narrative that is your life up to that point. How many times do we make, then lose the Stone? How many times do we lose our hard-won happiness or wholeness? The trick is to not paralyze yourself with New Age guilt over it. If a scientist has a failed experiment he or she doesn’t wallow in shame or analysis paralysis but starts over with new boundary conditions.

First, you must separate yourself from the herd mentality. When your comfort zone becomes constrictive, you have grown beyond it. Still, only a few adventurous souls will move beyond the cocoon of their self-imposed prison. If you suppress yourself too much, you become a stranger to yourself. Alienation is felt as chronic depression.

You have to change your level of game play, change your reality map. You die to one level to be reborn at a higher level. Dis-identify from the social hologram, dis-identify from rigid roles and soul-diminishing victimization to become open. To step up your game, you have to reconnect with your core, your deep presence and awareness. Reality speaks for itself if we listen closely enough to nature and our nature. But you have to retrain your eyes, ears, and heart to comprehend the intuitive language of alchemy.”

“The spiritual landscape is changing and alchemy offers a safe harbor for the drifting spirit beyond institutional or cult affiliation. Many paths are vying for participants but alchemy chooses you. It is a self-initiatory path that provides a structure or scaffolding for metaphorical death and rebirth, a generic process described in many traditions. But you must remain dedicated to the process.In exploring the unknown you are exploring yourself. The journey to wholeness often begins with a retreat – into oneself, your interior nature.”

From: Working through Depression with Alchemy http://ionamiller.weebly.com/nigredo-depression.html

Nietzsche on How to Find Yourself – Brain Pickings

How can man know himself?

It is a dark, mysterious business: if a hare has seven skins, a man may skin himself seventy times seven times without being able to say, “Now that is truly you; that is no longer your outside.” It is also an agonizing, hazardous undertaking thus to dig into oneself, to climb down toughly and directly into the tunnels of one’s being. How easy it is thereby to give oneself such injuries as no doctor can heal.

Moreover, why should it even be necessary given that everything bears witness to our being — our friendships and animosities, our glances and handshakes, our memories and all that we forget, our books as well as our pens.

For the most important inquiry, however, there is a method.

Let the young soul survey its own life with a view of the following question: “What have you truly loved thus far? What has ever uplifted your soul, what has dominated and delighted it at the same time?”

Assemble these revered objects in a row before you and perhaps they will reveal a law by their nature and their order: the fundamental law of your very self. Compare these objects, see how they complement, enlarge, outdo, transfigure one another; how they form a ladder on whose steps you have been climbing up to yourself so far; for your true self does not lie buried deep within you, but rather rises immeasurably high above you, or at least above what you commonly take to be your “I”.

Source: Nietzsche on How to Find Yourself and the True Value of Education – Brain Pickings

Encountering the Teachings of Gurdjieff: A Young Man’s Search, by David Ulrich | Parabola

“What Gurdjieff calls the magnetic center represents an inner formation that helps orient us in the right direction, toward what can serve our individual evolution and inner development. Our search is often born from contact with certain kinds of influences—books that may help show the way, other people that touch us in a deeper fashion, inspiring works of art, and one’s own intuition—that, upon reaching a certain force, will attract help to the seeker. Influences that derive from a conscious origin have a different quality, a unique flavor, that resonates with the seeds of consciousness within oneself.

I think of it as a magnetizing force that attracts us to what we genuinely need—and draws what we need to us. It is a reciprocal movement. But, especially in these times, there are dangers at every step of the way. Is this teacher authentic and truly connected to a source of knowledge? Has he or she sufficiently traveled the inner journey, enough to really help us, and not distort or injure our search? Discrimination is essential. And rigorously following the dictates of one’s intuition, and listening to the still voice of our inner senses, is a central challenge in our search. The smorgasbord of spiritual teachings today allows for all manner of distortions and dilutions of great knowledge.

The magnetic center must work with a finer quality of energy than is found in our usual fragmented states of being. The word magnet is very accurate here. We find a resonance with a teaching, a book, a teacher, a work of art that corresponds to something finer in ourselves that we wish to know better and to develop. However, the danger of our search being usurped by our ego is not only ever-present but is prevalent in contemporary times. There is much evidence of a wrongly formed magnetic center or the type of seeking that endeavors simply to become a better, more effective person. Ken Wilber knows this type of spiritual seeking as the “ego in drag.”

The desire for mere self-improvement on an ordinary level, the hypnotic seduction with trance-like states found in shamanism and other exotic rituals, the dangerous work of prematurely opening the “chakras,” the new-age impulse towards abundance and the belief that everything is “divinely perfect,” and that no part of us could possibly be out of step with the divine plan—these are all common manifestations of Chögyam Trungpa’s famous phrase: “spiritual materialism.”

American materialism has affected the spiritual path deeply—manifesting in seeking magical states, instant gratification, and a shallow, results-driven spirituality.

Genuine search places us in the eye of the tiger. It is raw and an anathema to our ego. It demands rigor and discipline, and the striving towards impartial self-observation which brings in its train a certain kind of suffering and discomfort.

Genuine spiritual growth is fundamentally transformative, not merely a rearrangement of our personalities or an increased ability to meet the demands of life. It is learning to serve a different master, our search for higher consciousness and for the awakening of conscience, and placing our ego or our conditioned personality in a secondary, not primary, role.

Awakening exacts a price, and we pay in different ways at different times, at different stages along our path.  The first payment is to follow the dictates of our genuine search, to accept the inevitable struggle and discomfort of turning towards our inner life. We are asked to place our ego and conditioned personality in question, not to blithely follow its insistent voices, but to open ourselves to the deeper impulses that lead us towards the influences that we need, whether in the form of books, people, or a wisdom teaching.

A certain leap of faith is required here, one that we can only resolve from looking deep within.

The seeker in us is authentic; we know by the “taste” of certain influences what it needs, and we must open to those influences and begin to allow them to act on us, like a young plant seeking water and air. And we must stay in touch with the “inner taste” of the influences that we allow into our being. Impressions are food, and to some degree, we are what we eat. Where rigor and discipline is required, is to maintain this discriminating faculty that knows from within what our nascent real selves need for their growth and evolution.” – David Ulrich

Source: Encountering the Teachings of Gurdjieff: A Young Man’s Search, by David Ulrich | Parabola

Hermetic Rebirth and the Cave of Initiation

 

Hermetism is often and wrongly confused with Gnosticism, which similarly originated in Egypt in roughly the same era. For present purposes, a few salient points of contrast will suffice. Like the God of Stoicism, the Hermetic God was omnipresent and omniscient through the material cosmos. In Gnosticism, by contrast, God was transcendent, and the physical universe was an evil place created by an evil Demiurge (van den Broek 1998). Hermetic ethics celebrated the divine within the world; Gnostic ethics were abstemious, ascetic efforts to escape from the world (Mahé 1998).

There were also differences in their valuations of visions. Jonas (1969) drew attention to the fact that the motif of heavenly ascension was originally intended, for example in Jewish apocalyptic literature, as an objective reality, but was subsequently transformed into an allegory of the mystical path. The mystical appropriation of the ascension motif was complete by the second century era of the Alexandrine Christian fathers, St. Clement and Origen (Danielou 1973).

The allegorical tradition was also present in the Gnostic literature of Nag Hammadi, although in a slightly different manner. Referring to experiences of visions in general, The Exegesis on the Soul 34 stated: “Now it is fitting that the soul regenerate herself….This is the resurrection that is from the dead. This is the ransom from captivity. This is the upward journey of ascent to heaven. This is the way of ascent to the father” (Robinson 1988:196). For the Gnostics, as for the Alexandrine fathers, ascension was one among several literary tropes that could signify mystical experiences of highly varied manifest contents.

So far as I know, the Hermetic system was the earliest in the West to propose a mystical initiation, consisting of multiple experiences, that is simultaneously a journey through places and a series of changes in the ontology of the self. Its ascension to the sky compares with Jewish and Christian apocalypticism; but its division of ontological states compares with Neoplatonic distinctions among sensibles, intermediates or divisible intelligibles, and indivisible intelligibles.

This sequence, which can already be discerned in Iamblichus, was eventually formalized by Proclus as three mystical stages of purgation, illumination, and union. However, the Hermetists slotted imaginals into the middle position that Neoplatonism limited to empirically demonstrable arithmeticals and geometricals.

This substitution brought Hermetism to a position on visions that differed from the reductive skepticism of Neoplatonism, which treated visions as ideas that were misrepresented by the senses in the form of images.

The Hermetic position also differed from the pure projections that Gnostics held visions to be. For Hermetists, the imaginal was not a projection whose ever various and impredictable content becomes increasingly pure as one’s mind purifies in its progress toward God. The imaginal was instead topographical, an actual and predictable itinerary in a visionary topos that had ontological integrity and coherence.

Although The Discourse was not transmitted to the West in the Corpus Hermeticum, the Hermetic concept of ontologically distinctive locations along an itinerary has been integral to Western esotericism for centuries. Because the Hermetic tradition survived without apparent interruption from late antiquity to be taught at least as late as eleventh century Baghdad, it is not surprising that a series of initiatory experiences were portrayed as an itinerary across nine mountains in Suhrawardi’s Treatise of the Birds (1982).

Shihab al-Din al-Suhrawardi (1154–1191)

To Suhrawardi, Sufism also owed the introduction of the ‘alam al-mithal, the “world of imagination” (Rahman 1964). The notion of an initiatory itinerary in the world of imagination was formalized, or at least made less esoteric, in the Sufism of Najm ad-Din al-Kubra (Merkur 1991:223, 234-35); and its passage from Islam to western Europe may be assumed.

Interestingly, Widengren (1950:77-85) demonstrated that the ancient motif of ascension to an audience before a heavenly god was replaced, in the Arabic Hermetic literature, by the motif of entering a subterranean chamber where Hermes sits enthroned, holding a book in his hand. Widengren suggested that the descent of Balinas (the Arabic Apollonius of Tyana) to acquire the Emerald Table of Hermes, along with variant narratives, blended the motif of an initiatory ascension with the motif, found in Egyptian and Hellenistic tales, of the discovery of a book in a subterranean chamber.

An illustration from an old collection of stories translated from Ancient Eyptian Literature. This scene depicts the character “Setna”, emerging from a tomb where he gambled to win a magical papyrus, known as the Book Of Thoth, the reading of which would empower him with all knowledge. Setna was based on a real person, Prince Khaemwaset, the fourth son of Ramesses II, who was a Holy Man of the highest order (Sem Priest) and credited as being a great magician. (It was this character from Ancient History that I give all credit to for embarking on my own Hermetic Journey – Jaq) Setna/Prince Khaemwaset

The motif of the cave of initiation, which found its widest audience through the tale of Aladdin in the 1001 Nights, may also have been influenced by Porphyry’s On the Cave of the Nymphs (Taylor 1969), in which a passage in Homer was allegorized as an image of the cosmos. Whatever its sources, the motif of an alchemical initiation by means of a subterranean itinerary is earliest attested in the writings of medieval Arabic Hermetists.

By this route, the motif of ascension in late antique Hermetism was likely historically antecedent not only to such celebrated European alchemical motifs as the Cave of the Philosophers, but also to the climactic encounters in Novalis’ Heinrich von Ofterdingen (1796) and Ferdinand Ossendowski’s Beasts, Men and Gods (1922).

Engraving from Baro Urbigerus Besondere chymische Schrifften, 1705.

Source: Stages of Ascension in Hermetic Rebirth

The Discourse on the 8th and 9th

The Corpus Hermeticum

Shihab al-Din al-Suhrawardi (1154–1191)

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Visualization in Medieval Alchemy – alchemy as a science and an art aimed at the transformation of species

In Arabic classifications of science and philosophy, which were adapted in the twelfth century, alchemy was defined as a sub-branch of natural philosophy (scientia naturalis), sharing this definition, above all, with medicine. Thus, about ten years after the first translation of an alchemical text into Latin (Morienus, De compositione alchimie), Dominic Gundissalinus described alchemy as belonging to physics in his De divisione philosophiae (ca. 1150).[6] It was a science and an art aimed at the transformation of species

In the thirteenth century, representatives of Platonically-oriented cosmology and natural science such as Robert Grosseteste (1175-1253) defended a systematic use of geometrical representation. Following Grosseteste, “all causes of natural effects must be expressed by means of lines, angles, and figures, for otherwise it is impossible to grasp their explanation”.[24] The corresponding theory of knowledge was neo-Platonic and Augustinian. The intelligible order underlying the physical, corporeal world was thought to be apprehensible by the divine part of the soul, by the ‘eye of the soul’, and geometrical figures (as well as number patterns) were used as ‘ladders’ leading to eternal truths.

The early fifteenth-century Aurora consurgens marks a further step in the elaboration of pictorial metaphors combined with glass vessels. The oldest and most spectacular copy of this document dates from the 1420s (Zürich, Zentralbibliothek, ms. Rh. 172). On a purely pictorial level, an inventive and high-quality artist developed a core of recurrent alchemical metaphors that relate to human and animal procreation, the dismemberment of bodies (symbolizing calcinations and putrefaction) and motifs such as the eagle and the dragon, which denote mercury as a volatile and as a solidified substance, respectively.[75] In and around glass vessels, the artist metaphorically depicted stages of operation relating to the alchemical art of transformation as well as cosmological and philosophical principles of the art, such as “two are one” and “nature vanquishes nature”. Two or more principal metaphors are frequently combined within a single picture, reflecting the increasing use of chains of metaphors. For instance, one of the illustration combines the motifs of Mercury decapitating the sun and the moon with a vase filled with silver and gold flowers

Figure 11: Zürich, Zentralbibliothek, ms. Rh. 172, fol. 27v. Aurora consurgens (ca 1420-30). Mercury in the form of a serpent decapitating the Sun and the Moon. Gold and silver flowers in a vessel on the fire.

For the full article from which these extracts were taken, go to the link below

Source: HYLE 9-2 (2003): Visualization in Medieval Alchemy

Two Levels of Love – Mars-Venus and Uranus-Neptune by Dane Rudhyar | Rudhyar Archival Project | Astrological Articles

That Neptune-pervaded love is not a feeling of (as ordinarily meant) compassion for whatever experiences suffering or deprivation. This love is an act of transfiguration, a flow of light, a song of tenderness; it is mother love as well as lover love, for it seeks to hold everything — and, of course, more particularly, the object upon which the love is then focused — in the vast openness of a consciousness for which every contact is, or tends to be, a dissolution of boundaries and an absolution for past fears, refusals or sins.

As Venus is polarized by Mars, so is Neptune polarized by Uranus. Neptune is the “lashless eye” of divinity, always open to absorb light and receive the messages of need and longing from whoever is ready for transfiguration; Uranus is the response of the eye, the glowing glance that, to the individual yearning for release from the cyclic involvements of normality and productivity, is an intoxicating drink of “living waters,” a song of peace beyond yet through all tragedies.

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via Two Levels of Love – Mars-Venus and Uranus-Neptune by Dane Rudhyar | Rudhyar Archival Project | Astrological Articles.

The Opposite of Love Is Power… Not Hatred – C.G. Jung | Dr. Peter Milhado

By Peter Milhado PHD on March 9, 2014

 

There are two kinds of suffering.  Suffering imposed on us by the outside and suffering created by ourselves.  All we can do with suffering imposed by the outside is share it in the human family and show compassion, love and empathy for those who’ve been hurt.  Suffering created by ourselves is referred to as neurotic suffering i.e. ‘inauthentic suffering’.  At bottom, neurosis is a moral and ethical problem.

In other words symptoms like neurotic anxiety, depression, compulsions, ulcers, headaches etc. occur primarily because we try to manipulate others.

We do this in a variety of ways…i.e. blaming, withholding feelings and affection, using guilt to have others do our bidding, temper tantrums and primarily abusing power.  The opposite of love is power, not hatred.

[ … ]A calling may be postponed, avoided, or intermittently missed. It may also possess one completely. Eventually it wins out and makes its claim either in a soulful life, or if ignored, in meaninglessness, cynicism, hoarding, loneliness and alienation.

The dragon we must slay is no more that the monster of everyday expectations about how we “ought” to live our lives. If we realize this, we will be back in the world, but “no longer of it”. We will be able to interact with others without submitting to their definition of who we are supposed to be! This precious pearl that is one’s individual worth can only be found when we are willing to stand alone. By consciously choosing to pursue the inner journey, we transform impersonal fate into our own personal destiny.

Franz MatschFranz Matsch

via The Opposite of Love Is Power… Not Hatred – C.G. Jung | Dr. Peter Milhado.

Jung’s Active Imagination | Reality Sandwich

“More abstractly,  it’s a method of consciously entering into a dialogue with the unconscious, which triggers the transcendent function, a vital shift in consciousness, brought about through the union of the conscious and unconscious minds. Unexpected insights and self-renewal are some of the results of the transcendent function. It achieves what I call that elusive ‘Goldilocks’ condition, the ‘just right’ of having the conscious and unconscious minds work together, rather than being at odds. In the process it produces a third state more vivid and ‘real’ than either; in it we recognize what consciousness should be like and see our ‘normal’ state as at best a muddling-through”

by Gary Lachman

Jung’s Active Imagination | Reality Sandwich.

“”The ancestors. They are in our bones. Remember.”

“When societies lose their initiation practices, new ones emerge, for rites of passage are hardwired in the human psychological formula.”

“The classic tarot deck is a great representation of this, as it parallels the esoteric Jewish Kabbalah, in symbolically showing us the four levels of magickal morphogenesis through the suits of the wands, cups, swords, and disks. An idea begins in the archetypal ethers, funnels into the realm of dreams, visions, and emotions, moves down into the realm of thought and mental activity, and then finally becomes manifest reality.  Initiation, because it is such a psychically impactful experience, can affect all four realities at once in impressive and synchronistic ways, leading to a revived belief in apophenia. [the experience of seeing patterns or connections in random or meaningless data.] Again, initiatory experience is about reconnecting the separated aspects of the psyche. Ideas, emotions, thoughts, and physical things may quickly shift, as the psyche attains a new level of integration.”

via 21st Century Guide to Cross Cultural Initiation | Reality Sandwich.

Those heights are not conceivable or comprehensible by minds not completely free

I’m re-posting this old nugget as it is directly related to the 2 most recent that I have posted; Know Thyself: self-observation for the purpose of understanding ourselves “both as Individuals and Part of the Whole.”

This was Tavaglione’s introduction to his tarot deck. In creating the Stairs of Gold Tarot, he was inspired by these words from Dante’s Paradiso, “I saw a stair the colour of gold, on which shone a ray of Sun, which raised itself so high that my eyes could not see the top….”
Jaq

“I would do nothing else but pick flowers, and wander through meadows and gardens, gathering all the beautiful and most coloured my eyes and my spirit could see…but it happened that when I picked the first coloured diamonds, my curiosity flew up and I would “know” and I would “learn”.  And while at first my questions were limited only to their aspect, and I would know many Petal-Facets had the Diamond-Flowers I was picking, later I would know their Inmost Secret Light, their Why.

As I could not study all the Flowers my eyes took in, I devoted myself to the nearest ones, trying to understand with them, all the others, seeking inside them the Key that would permit me to open every other Door.
And then I realized that the more I penetrated the “Particular”, the more I descended to the “Depth”, the more I rose to the “General”.  So to understand that infinity of the Flowers around me, I began to study, with great care, One of Them, that could mean the most to me, the nearest one: myself.
And I tried to discover how many facets had that Flower-Diamond; its Cut, its Axis, it’s Colours, its Transparency, its Scent, to penetrate its innermost recesses, the “Secret Rooms” where are preserved the Most Intimate Values, the Hidden Treasures concealed by Veils.
To reach them I found it was anything but simple, because still before entering, I should curb the Beast that guarded them, the Animality always excluded from any Architecture, and any Rationality of Thought, bestial and resentful, because of its inferiority, it must be subdued by Fight and physical Strength or by Command and Moral Strength: once curbed it will be a tractable companion, but like every subdued wild beast, it will always assault us, when hesitating.
After the Beast, there is the Labrynth, consisting of 78 rooms, and 3×7 = 21 Gates; in every Room there are Prizes and Traps, Traps playing on what remained inside us, of the false ideas or the mental distortions that follow us from the preceding rooms, with which we must do away, and the Prizes playing on our Intuition and Illuminations that let us know, on the grounds of what we have learnt till now, what awaits us in the next room and that will be clear only in the future.
The 21 Gates are unforeseen gleams on the future and though one can find some difficult ties to reach and pass them, he has the Certitude of his Growth and the Consciousness of his accomplished conquest, that instill new life into his desire to go on Knowing and infuse him with new courage to face future difficulties.
The Utmost Gate, that closes the Utmost Room, the Sancta Sanctorum, is the Gate of Totality, the Conclusion that leads to our Essence, complete of everything Spiritual and Material.  When we will overcome that Utmost Barrier, we will be Ourselves, at the height of our Beings conscious of our Liberty, both as Individuals and Part of the Whole, Then behind the Veil, stretched between the Two Colums, the Black one and the Red, we will foresee the Roots of the Tree, that through its 10 points, will lead us up to heights where neither the most presumptuous of men can imagine, because those heights are not conceivable or comprehensible by minds not completely free.”
– Giorgio Tavaglione: Introduction to The Stairs of Gold Tarot Deck.
12 Pendu