Category Archives: Transmutation

Working through Depression with Alchemy

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“More than a school of thought, alchemy is a gnosis, a “way” of knowing. It is a deliberate attempt to grasp immortality in which the process is paramount. We all embody the archetypal journey of life, consciously or unconsciously. We are born in our essential nature but it quickly becomes covered with a hard-shelled core of the false ego. We long to return to our true nature. Alchemy amplifies and accelerates this process of self-actualization, connecting with a sacred sense of self.

Naturally, there is no absolute actualization, no final self-reflective insight. It is a recursive formula of returning, over and over on more subtle levels, to the sacred center where heaven and earth meet. You don’t have to heroically “succeed” at alchemy.

Not succeeding will deepen you as you improvise the narrative that is your life up to that point. How many times do we make, then lose the Stone? How many times do we lose our hard-won happiness or wholeness? The trick is to not paralyze yourself with New Age guilt over it. If a scientist has a failed experiment he or she doesn’t wallow in shame or analysis paralysis but starts over with new boundary conditions.

First, you must separate yourself from the herd mentality. When your comfort zone becomes constrictive, you have grown beyond it. Still, only a few adventurous souls will move beyond the cocoon of their self-imposed prison. If you suppress yourself too much, you become a stranger to yourself. Alienation is felt as chronic depression.

You have to change your level of game play, change your reality map. You die to one level to be reborn at a higher level. Dis-identify from the social hologram, dis-identify from rigid roles and soul-diminishing victimization to become open. To step up your game, you have to reconnect with your core, your deep presence and awareness. Reality speaks for itself if we listen closely enough to nature and our nature. But you have to retrain your eyes, ears, and heart to comprehend the intuitive language of alchemy.”

“The spiritual landscape is changing and alchemy offers a safe harbor for the drifting spirit beyond institutional or cult affiliation. Many paths are vying for participants but alchemy chooses you. It is a self-initiatory path that provides a structure or scaffolding for metaphorical death and rebirth, a generic process described in many traditions. But you must remain dedicated to the process.In exploring the unknown you are exploring yourself. The journey to wholeness often begins with a retreat – into oneself, your interior nature.”

From: Working through Depression with Alchemy http://ionamiller.weebly.com/nigredo-depression.html

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Visualization in Medieval Alchemy – alchemy as a science and an art aimed at the transformation of species

In Arabic classifications of science and philosophy, which were adapted in the twelfth century, alchemy was defined as a sub-branch of natural philosophy (scientia naturalis), sharing this definition, above all, with medicine. Thus, about ten years after the first translation of an alchemical text into Latin (Morienus, De compositione alchimie), Dominic Gundissalinus described alchemy as belonging to physics in his De divisione philosophiae (ca. 1150).[6] It was a science and an art aimed at the transformation of species

In the thirteenth century, representatives of Platonically-oriented cosmology and natural science such as Robert Grosseteste (1175-1253) defended a systematic use of geometrical representation. Following Grosseteste, “all causes of natural effects must be expressed by means of lines, angles, and figures, for otherwise it is impossible to grasp their explanation”.[24] The corresponding theory of knowledge was neo-Platonic and Augustinian. The intelligible order underlying the physical, corporeal world was thought to be apprehensible by the divine part of the soul, by the ‘eye of the soul’, and geometrical figures (as well as number patterns) were used as ‘ladders’ leading to eternal truths.

The early fifteenth-century Aurora consurgens marks a further step in the elaboration of pictorial metaphors combined with glass vessels. The oldest and most spectacular copy of this document dates from the 1420s (Zürich, Zentralbibliothek, ms. Rh. 172). On a purely pictorial level, an inventive and high-quality artist developed a core of recurrent alchemical metaphors that relate to human and animal procreation, the dismemberment of bodies (symbolizing calcinations and putrefaction) and motifs such as the eagle and the dragon, which denote mercury as a volatile and as a solidified substance, respectively.[75] In and around glass vessels, the artist metaphorically depicted stages of operation relating to the alchemical art of transformation as well as cosmological and philosophical principles of the art, such as “two are one” and “nature vanquishes nature”. Two or more principal metaphors are frequently combined within a single picture, reflecting the increasing use of chains of metaphors. For instance, one of the illustration combines the motifs of Mercury decapitating the sun and the moon with a vase filled with silver and gold flowers

Figure 11: Zürich, Zentralbibliothek, ms. Rh. 172, fol. 27v. Aurora consurgens (ca 1420-30). Mercury in the form of a serpent decapitating the Sun and the Moon. Gold and silver flowers in a vessel on the fire.

For the full article from which these extracts were taken, go to the link below

Source: HYLE 9-2 (2003): Visualization in Medieval Alchemy

Conciatore: Primordial Matter

I feel that the more perfect the art the most simple it is; so the authors [of alchemy] most unanimously agree that the ‘primordial material’ [prima materia] of the [philosopher’s] stone is something vile [base] and not bought with money, but easy to find. Moreover, the manner of work must imitate nature, which in order to produce gold makes use of the singular or simple material, which is the seed of gold, of a single vessel, which is the ‘womb of the earth’ [seno della terra] and of a single natural and vital fire, which is the sun.

via Conciatore: Primordial Matter.

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