“More abstractly, it’s a method of consciously entering into a dialogue with the unconscious, which triggers the transcendent function, a vital shift in consciousness, brought about through the union of the conscious and unconscious minds. Unexpected insights and self-renewal are some of the results of the transcendent function. It achieves what I call that elusive Goldilocks’ condition, the just right’ of having the conscious and unconscious minds work together, rather than being at odds. In the process it produces a third state more vivid and real’ than either; in it we recognize what consciousness should be like and see our normal’ state as at best a muddling-through”
by Gary Lachman
Jung’s Active Imagination | Reality Sandwich.
In his brilliant lecture entitled “The Theory and Play of Duende” Federico García Lorca attempts to shed some light on the haunting and inexplicable sadness that lives in the heart of certain works of art.
“All that has dark sound has duende”, he says, “that mysterious power that everyone feels but no philosopher can explain. […] All love songs must contain duende. For the love song is never truly happy. It must first embrace the potential for pain. Those songs that speak of love without having within in their lines an ache or a sigh are not love songs at all but rather Hate Songs disguised as love songs, and are not to be trusted. These songs deny us our humanness and our God-given right to be sad and the air-waves are littered with them. The love song must resonate with the susurration of sorrow, the tintinnabulation of grief. The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil” – Nick Cave
García Lorca – Theory and Play Of The Duende
Translated by A. S. Kline © 2004 All Rights Reserved. This work may be freely reproduced, stored, and transmitted, electronically or otherwise, for any non-commercial purpose.
“All arts are capable of duende, but where it finds greatest range, naturally, is in music, dance, and spoken poetry, for these arts require a living body to interpret them, being forms that are born, die, and open their contours against an exact present.” – Federico García Lorca
“When we acknowledge duende, when we allow ourselves to look at it squarely and invite it into our experience… in those moments we are capable of true transformation. Without integrating an embodied understanding of the truth that this moment – this project, this relationship, our entire lives – will ultimately shift and expire, all of our actions will be undermined with a false sense of permanence. May everything I do take the impermanence of my own life into account. I care for my body not in spite of, but rather because one day, not too long from now, it will rot into the ground. I pursue my passions believing that someday, as whatever-it-is that these passions are made of continues to exist after my death, this incomprehensible assemblage of something will be enriched because of how I chose to shape it when I was alive: I am a throughput. Upon my expiration, may the energy that was me be more capable of creative expression, more self-aware, and better able to love because of the work that I did while I was alive.” ~ Lorca