And now his blood comes out singing: On Federico García Lorca’s Last Days | Literary Hub

Before dawn on August 17th, 1936, a man dressed in white pajamas and a blazer stepped out of a car onto the dirt road connecting the towns of Víznar and Alfacar in the foothills outside Granada, Spain. He had thick, arching eyebrows, a widow’s peak sharpened by a tar-black receding hairline, and a slight gut that looked good on his 38-year-old frame.

It was a moonless night and he wasn’t alone under the dark tent of the Andalusian sky. He was escorted by five soldiers, along with three other prisoners: two anarchist bullfighters and a white-haired schoolteacher with a wooden leg. The headlights from the two cars that had delivered them here illuminated the group as they made their way over an embankment onto a nearby field dotted with olive trees. The soldiers carried Astra 900 semiautomatic pistols and German Mauser rifles. By now the four captives knew that they were going to die. The man in the pajamas was the poet Federico García Lorca.


If anyone heard the echoing cracks, they didn’t come to see what had happened. Lorca writhed on the ground, bleeding, until one of the soldiers administered a coup de grâce. He stopped moving, and suddenly verses from the sorrowful “Lament” he had written for his friend Ignacio Sánchez Mejías, a famous bullfighter who was fatally gored, spoke of the fate of the man who had written them:

But now he sleeps without end.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing.

Federico García Lorca was dead. The Spanish Civil War was far from over.

Source: Dictators Kill Poets: On Federico García Lorca’s Last Days | Literary Hub