Donkey-Skin by Charles Perraut, illustrated by Gustave Dore, Harry Clarke, and others

 

Donkey Skin (French: Peau d’Âne) is a French literary fairytale written in verse by Charles Perrault. It was first published in 1695 in a small volume and republished in 1697 in Perrault’s Histoires ou contes du temps passé.

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Illustration by Harry Clarke

It’s an unsettling tale of a King who wanted to marry his daughter, after his wife’s death.

“A king had a beautiful wife and a rich castle, including a marvelous donkey whose droppings were gold. One day his wife died, after making him promise not to marry except to a woman whose beauty and attributes equaled hers. The king grieved, but was, in time, persuaded to seek another wife. It became clear that the only woman who would fit the promise was his daughter.

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Andrew Lang, for The Grey Fairy Book. New York: Dover, 1967. (Original published 1900.)

She went to her fairy godmother who advised her to make impossible demands as a condition of her consent: a dress as bright as the sun, a dress the colour of the moon, a dress all the colours of the sky, and finally, the hide of his marvelous donkey (which produced gold, and thus was the source of his kingdom’s wealth). Such was the king’s desire to marry her that he granted all of them. The fairy godmother gave her a marvelous chest to contain all she owned and told her that the donkeyskin would make an excellent disguise.

 

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Gustave Doré’s illustrations for Charles Perrault’s Peau d’ane appear in an 1867 edition entitled Les Contes de Perrault

 

 

 

 

 

The princess fled and eventually found a royal farm where they let her work in the kitchen, despite her ugliness in the donkeyskin.

On feast days, she would dress herself in the fine gowns her father had given her, and one such day, the prince came by her room and peeped through the keyhole. He fell in love at once, fell ill with his longing, and declared that nothing would cure him but a cake baked by Donkeyskin, and nothing they could say of what a dirty creature she was dissuaded him.

 

“It was with difficulty that he withdrew from this gloomy little alley, intent on discovering who the inmate of the tiny room might be. He was told that it was a scullion called Donkey-skin because of the skin which she always wore, and that she was so dirty and unpleasant that no one took any notice of her, or even spoke to her; she had just been taken out of pity to look after the geese.”

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Illustration by Harry Clarke

“Curiosity made him put his eye to the keyhole”

 

 

 

 

 

 

 

 

 

When Donkeyskin baked the cake, a ring of hers fell in it. The prince found it and declared that he would marry only the woman whose finger it fit.

forddonkeyskin3
Andrew Lang, for The Grey Fairy Book. New York: Dover, 1967. (Original published 1900.)

Every other woman having failed, he insisted that Donkeyskin try, and it fit. When she had dressed herself in her fine gowns, his parents were reconciled with the match. Donkeyskin later found that her father had remarried to a beautiful widow and everyone lived happily ever after.

 

 

 

It was also a 1970 French musical film directed by Jacques Demy. It is also known by the English titles Once Upon a Time and The Magic Donkey. It stars Catherine Deneuve and Jean Marais, with music by Michel Legrand. Donkey Skin also proved to be Demy’s biggest success in France.

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“Peau d’Ane” – French for Donkey-Skin. Film by Jacques Demy

For the full Perrault story, and the rest of his fairy tales, read them online or download here:

Donkey Skin at Project Gutenberg

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